Jun 10, 2017

Phillip Van Dyke

No relation to Dick Van Dyke or the muscular Barry Van Dyke of the show biz dynasty, Phillip Van Dyke was a popular child star of the 1990s, with guest spots on Picket Fences, Baywatch, and Step by Step.  His teenage roles lasted for only a few years: he starred in Safety Patrol (1998), as the leader of the bullies who bedevil Bug Hall, and in The Modern Adventures of Tom Sawyer (1998), as a Tom Sawyer whose best buddy (Adam Dior) is named Chuck, not Huckleberry.










Nickelodeon fans will also recognize him as the voice of "football head" Arnold on the animated teencom Hey, Arnold (1997-2000).  Fourth grader Arnold and his best friend Gerald negotiate a dangerous world full of menacing teachers, crotchety grandparents, neighborhood hazards, and girls with crushes on them, notably the female bully Helga.












Phillip had his own Nickelodeon teencom, Noah Knows Best (2000), which lasted for only 13 episodes.

But he's probably most famous for his role as Luke, the goblin-turned human who assists the teenage witch sisters in Halloweentown (1998) and Halloweentown 2: Kalabar's Revenge (2002).  Except for a few feeble flirtations, Luke displays no interest in girls.

He received massive media exposure for his blond hair, blue eyes, and massive biceps, which he showed off whenever possible, even while playing a goblin.

As often happens with teen stars, when Phillip moved into adult roles, his adolescent buddy-bonding dried up.  He played some aggressively heterosexual characters on Boston Public and NYPD Blue before retiring from acting. Today he lives in San Francisco with his second wife and works in the corporate world.


  He's getting a little gray around the temples, but obviously still has an amazing physique. And he's totally a gay ally.

Jun 9, 2017

Charles Starrett: Pre-War Bulge

Charles Starrett (1903-1986) was an action-adventure hero before there was such a thing.  He grew up in Athol, Massachusetts, where his grandfather's L.S. Starrett Tool Company was the main employer, and graduated from Ivy League Dartmouth.  But he wanted to become an actor, so he started out in Vaudeville, then moved to Hollywood just at the start of the talkie era.

 In 1935 he became a contract player for Columbia, generally a singing cowboy like Roy Rogers, with a backup group, Sons of the Pioneers.








Starrett made nearly 100 cowboy pictures for Columbia, ten in 1938 alone, when they were churned out as frequently as tv series today.

He introduced the character of  The Durango Kid in 1940, and began playing him regularly in 1945, churned out over 60 features during the next seven years.

In 1952 he retired from acting, and spent the rest of his life traveling as a goodwill ambassador for his grandfather's tool company.  He lived in Laguna Beach during the summer, and Borrego Springs during the winter.  In his later years, he often appeared at fan conventions.

He was married to Mary McKinnon from 1927 until his death, and had two children.  Probably heterosexual, but several gay connections:



1. Reputedly the Durango Kid plays up the homoerotic bandinage as he frees small town after small town from black-clad baddies.

2. Check out this scene from The Mask of Fu Manchu (1932).  Starrett's character is whipped by the villain.












Then tied to a table, naked except for a skimpy towel.

You won't see a bulge like that on film again for 30 years.











The Football Star's Date with Tarzan

Rock Island, June 1972

One day in the summer of 1971, when I was ten years old,  my boyfriend Bill and I were out riding bikes near Longview Park, when we came to a big house "on the register of historic places."  There was an old guy in the back yard, sitting in a lawn chair reading a newspaper.

He had his shirt off!

He was very muscular, with a thick hairy chest, big shoulders, hairy flat abs, and square hands.  Balding on top.  A round open face.

"Hey, I know that guy from church!" Bill exclaimed.  [He was a heathen Presbyterian]  "Hi, Mr. Franck!"

Frank -- like my Dad?

He looked up.  "Hi, Bill.  Who's your buddy?"

We went into the back yard through a little gate, and Mr. Franck stood up and shook both our hands -- not many adults did that!  He told us to call him Sonny -- everybody did, even kids.  He was a teacher at Rocky High, so he would see us both in his biology class in a few years.

After that, the promise of beefcake brought us past Sonny's house quite often.  He was often in his back yard in mid-afternoon, giving us just enough time to gawk at his muscles and get home in time to watch Captain Ernie's Cartoon Showboat.

During the school year, we went on Saturday afternoons.  Sometimes he wasn't there, of course, but often he was, sometimes in back yard, sometimes on the front porch, often with his shirt off, even in October.  He always waved, and talked to us when we stopped.

Once he invited us in for lemonade.  There were pictures of cute, muscular guys all over his parlor.  Sonny must like men with muscles, too!

"Is this your friend?"  I asked, pointing to a teenage bodybuilder lifting an enormous barbell.

"It's me, when I was about your age.  Sports were sort of my bag, back then.  You boys like football?"

"Sure!"  We actually hated football, but it seemed polite to say we liked it.

 Sonny told us that he was an All-American wingback at the University of Minnesota, and then he was a halfback for the New York Giants.

"They're good," Bill offered.  "I like...um...."

"Randy Johnson?"

"Right, him."

Having to hear about football was almost a deal-breaker, but beefcake was hard to find in Rock Island, so we continued to visit Sonny.   We could see his hairy chest, and maybe someday we would even get a glimpse of his shame (his beneath the belt gifts).

No sausage sighting, but the next summer, when I was 11 years old, we biked past Sonny's house, and he was sitting in the back yard, drinking lemonade with Tarzan!

The full story is on Tales of West Hollywood.









Star Trek: Deep Space Nine: Boldly Going Where No Heterosexual Has Gone Before

Science fiction has been notorious for promoting an exclusively heterosexual future, insisting over and over again that gay people do not exist.  The Star Trek tv series have been the worse offenders, and Deep Space Nine (1993-1999) the worst of the lot, trying over and over again to be as heteronormative as possible, ignoring countless blatant opportunities for inclusivity.

The premise: On a far-off space station (but only about a day's flight from Earth), United Federation of Planets is assisting the planet of Bajor, which has just won its independence from the brutal Cardassians.  Meanwhile a wormhole opens up to the other side of the galaxy, bringing new possibilities for exploration, plus the threat of the Dominion.

The politics get complicated, and rather boring.  And all of the characters, bar none, are heterosexual:

Odo (Rene Auberjonois) is a changeling, a liquid in his natural state, capable of adopting any form he wishes.  He usually adopts the form of a humanoid male -- who is attracted to women.

Jadzia Dax (Terry Farrell) is a trill: a symbiont named Dax "joined" to a humanoid host.  Dax has lived in seven hosts before; its last was Curzon, an elderly man very, very interested in ladies.  Now that it's living in a female host, however, it's very, very interested in men.

The possibility of same-sex desire intrudes in a few episodes, briefly:

1. The Ferengi, space capitalists/Jewish stereotypes, do not allow women to go to work, so Pel (Helene Udy) disguised herself as a man to become a waiter at the bar/restaurant run by Quark (Armin Shimmerman). "He" falls in love with him, and seeks the advice of Dax, who is not surprised by what she thinks is same-sex desire.

Later "he" grabs and kisses Quark.  They are interrupted in media res by aliens, who assume that they are a same-sex couple.

Quark responds to the same-sex advance by ignoring it.

Pel: "I kissed you."

Quark: "No, you didn't."

2. Dax and her boyfriend Worf (the Klingon from The Next Generation)  go to the pleasure planet Risa, which seems to be a gigantic tropical brothel, with scantily clad women walking around saying "Everything we have is yours."  Dax reunites with a woman "he" dated as Curzon.  They get altogether chummy, even though Dax is now female, and Worf suspects that they are involved.

3. In a parallel mirror universe, the counterpart of Bajoran Major Kira Nerys is slinky, seductive, and  predatory, hinting that she's bisexual.

And some gay-subtext bromances.


1. Garak (Andrew G. Robinson), the only Cardassian left on the space station, is a fey, androgynous tailor who seems to be hitting on Dr. Julian Bashir.  Then they settle in for a romantic friendship, as each pursues hetero-romances.

Robinson later stated that he played the character as bisexual and in love with Bashir, but it was "a family show," so he couldn't be open about it -- can't let those kids know that gay or bi people exist!

2. Jake, son of the station commander (Cirroq Lofton), and Nog, Quark's nephew (Aron Eisenberg), are teenage best buds who have a quasi-romantic relationship.

By the way, after Nog joins Star Fleet, take a look at him in his uniform.  You'll soon find out why they generally film him from the waist up.





Beefcake is practically non-existent.  None of the main cast are ever shown shirtless.  Occasionally one of the women hooks up with a muscle man.

Lieutenant Manuele Atoa (Sidney Liufau) performs a Hawaiian fire-dance at Dax's pre-marital party.


Of all the Star Trek series, I like Deep Space 9 the least.  Instead of exploring strange new worlds, it's internecene politics.  Instead of boldly going where no man has gone before, it retreads the same old tired "no gays in space" mantra.

Jun 8, 2017

Robert Ellis: Gay Best Friend of the 1950s

This rather buffed young man looking rather unhappy at being hugged by a girl is Robert Ellis.  He was famous during the 1950s as Dexter Franklin on Meet Corliss Archer (1951-52), the first of many sitcoms about unconventional young women (others included A Date with Judy, Meet Millie, My Little Margie, and Too Young to Go Steady).  

Corliss Archer was first introduced in a series of short stories by F. Hugh Herbert (published in book form in 1944): a bright, sassy teenager who kept trying to involve her unwilling best buddy Dexter in her wild schemes. Dexter was not interested in girls, but he liked hanging out with Corliss because, in spite of his grumbling, he enjoyed the excitement and adventure.

The various versions of Corliss included a stage play (1943), two movies starring Shirley Temple (1945, 1949), a comic book series, and a long-running radio series starring Janet Waldo (1943-1956). Dexter was shy, quiet, and feminine, a gay-vague best friend, though sometimes the Fade Out Kiss requirement pushed him into a grudging admission of his romantic interest.  He was played variously by Sam Edwards, Dwayne Hickman, and Warren Berlinger, but Robert Ellis was best at providing a "Holy Cow!" unwillingness.



Robert Ellis had many guest spots on 1950s tv series, including The Loretta Young Show, The Bob Cummings Show, Jim Bowie, Wyatt Earp, and The Lone Ranger.   

As Ralph on The George Burns and Gracie Allen Show (1956-58), he buddy-bonded with Ronnie Burns and tried his best not to get "snared" by a girl, in spite of his scripted girl-craziness.

In Gidget (1959), he played Hot Shot, a gay-vague surfer boy whom Gidget hires to make the Big Kahuna jealous.  He didn't go through with it, but he did manage to display some impressive muscles and a spectacular bulge.

Robert's last screen appearance was in The Jackie Gleason Special (1973).  He died in 1973, at the age of 40.

Nephew Sausage Sighting #5: "Do I Measure Up?"

After my parents moved to Indianapolis in 1995, I stayed with my brother on my visits to Rock Island, so I've had ample opportunity to get sausage sightings of his sons (I only count those after they turn 18, of course).  But a sausage sighting of my sister's son, Joseph, was much more difficult to accomplish.  Here's why:

Indianapolis, June 1996

Every summer my parents celebrate Dad's birthday with a barbecue for their family and friends, held the Saturday afternoon closest to June 6th.  My sister and I always try to plan our summer visits to coincide with them.  This year it should be easy for her, since Mom and Dad have moved to a small town south of Indianapolis, less than 10 miles from Tammy's house.

But she doesn't come to the birthday barbecue.

"Oh, they're busy," Mom says.  "[Her husband] Terry is working a lot of hours at the car dealership."

I call to suggest that we get together for lunch during my visit.  I get the answering machine.

I try again.  She doesn't return my call.  After I fly back to San Francisco, I try a third time.  No answer.

I ask Mom what the problem is.

"You'll have to work it out between you," she says.  "Don't drag me into it."

No birthday card in November.

I stay in San Francisco for Christmas.  I send Tammy a present, but she doesn't send me one.  I call on Christmas Day, but after a "Hi!  How are you?", she makes an excuse and hangs up.

No more contact.  Tammy and Terry and their son cease to exist.

As far as I can tell, they figured "it" out, and they recoiled in homophobic horror.

My family practices a "don't ask, don't tell" policy.  They never actually use the "g" word, or refer to my boyfriends as boyfriends ("This is Lane, Boomer's...um...friend").   Still, after meeting Viju, Fred, and Lane, and hearing about Alan, Raul, Peter, David, Corbin the Gym Rat, Kevin the Vampire, and Michael J. Fox, you'd think Tammy would get a clue.

Apparently not.

Oddly, my brother, the fundamentalist Nazarene,  always invites me to stay at his house, and has no qualms about putting me in the bedroom next to his teenage nephews.  Not a problem.  It's Tammy, the liberal Methodist, who freaked out, who didn't want me around her kid.

Silence.  I hear about Tammy and her family from my mother's weekly telephone calls, but I have no contact.  

Indianapolis, June 2002

Then, after six years of ostracism, Tammy shows up at the 2002 Birthday Barbecue, bearing gifts, asking if I have met "a special guy," chatting and joking as if nothing has happened.

Approaching 40, she has become plump, almost zaftig.

Her husband Terry is bald and buffed, almost ready to become a leather daddy.

And Joseph, age 12, is slim, fey, and theatrical.  He has done some modeling for magazines, starred in a local tv commercial, and now he is starring in a community theater production of The Little Prince.

"Oh, you have to come!" Tammy exclaims.  "It would mean so much to him!"

I hate The Little Prince, and I doubt that the fey, theatrical blond cares very much about a guy he hasn't seen since he was five years old, but I go.

The next day, Tammy invites me out for pizza.  "You have to tell Joseph all about your life in New York!  Didn't you meet a lot of Broadway stars?  And Andrew Lloyd Weber?"


The full story is on Tales of West Hollywood

Jun 7, 2017

PaJaMa: The Gay Painter-Lovers of 1940s Fire Island

Back before we started acting like heterosexuals, organizing our love lives in monogamous same-sex, same-age pairs, gay men established all sorts of curious and creative "adhesive friendships": trios, groups, lovers far older or younger, women who were their platonic pals or benefactors.

In the 1930s and 1940s, a domestic-erotic collective of artists lived in the gay capitals of Provincetown, Fire Island, and Hartland, Vermont:

Paul Cadmus (1904-1999)
His young lover George Tooker (1920-2011)
His ex-lover Jared French (1905-1988)
Jared's boyfriend Jose Martinez.
And Jared's wife Margaret Hoening (1889-1973).

Their group was called PaJaMa: Paul, Jared, and either Margaret or Martinez, depending on who you ask (George was left out, since no one wanted PaJaMaGe).

They all used the medium of egg tempura, which gave their work a shimmering, otherworldly effect, enhanced by their use of surrealist images and symbols.  And beefcake, of course.

The Double (Jared French) shows a man and a woman gazing at the pale, muscular figure as he walks out of the surf like a newborn god.


Murder (Jared French, 1942) shows a murderer with bloody hands and a mask-like face standing proudly over his victim, while men argue for and against his case.

What I Believe (Paul Cadmus, 1947-48) shows a new world of people building, creating, reading, and lying in each other's arms, gay men, lesbians, and heterosexuals working together, while the old, dying world (not shown) devolves into an orgy of intolerance and hate.










Sleepers (George Tooker, 1951) shows three men sleep on the desolate beach of the subconscious.  The third lies on his purple cloak, looking up, bemused by the images he sees in his dream.








George Tooker painted many Windows, with men staring out, sometimes with male lovers, sometimes with wives, sometimes alone.  In Windows XI, painted in 1999, near the end of his life, Tooker's youthful self looks back at the artist, satisfied with the pleasures he's known, awed with the wonder of it all.


Trauma, Terror, and Beefcake of Junior High Shop Class

I read somewhere that the number of shop classes in elementary and high schools has dropped 75% during the last 20 years.

This is a cause for celebration.  Shop class was the biggest trauma of junior high.

Washington Junior High was segregated by gender.  All girls had to take home economics, to prepare them for their future as housewives, and all boys had to take woodshop, to prepare them for their future as...um...carpenters?

It was horrible.  The "teacher," Mr. Worse Than Hitler, was the nastiest, meanest, most despicable martinet who ever lived.  You tried to be as quiet and inobtrusive as possible: if he noticed you, he would criticize you, call you stupid, berate you for having a "smart mouth."  And God forbid those times he walked around the class.

Head down, hands at your side, no eye contact.

Like being in prison.  No, worse.

And what, exactly, did Mr. Worse Than Hitler teach?

If I taught a shop class, I would start off by explaining what the various tools were called and what they were used for.  Maybe some safety tips.

Then the types of wood, what each was used for.

Demonstrate some simple projects.

Explain how this stuff would be useful to us in the future.

Nope -- he just let us loose: "The tools are over there -- the wood is over there.  Go to it."


I had no idea what to do, and I didn't dare ask Mr. Worse Than Hitler.  He would glare at me, call me stupid, or give me detention for having a "smart mouth."

Finally I figured it out -- I was already supposed to know all about working with tools.  All boys were.  It was part of our DNA.

Claiming ignorance about something that was innate?  You might as well claim that you didn't like sports, or girls.

There were no tests, quizzes, or graded projects.  But still, I got a D- for the semester.


Plus detention four times.
1. Not keeping my eyes lowered when Mr. Worse Than Hitler walked by.
2. Hammering a nail wrong.
3.-4.  Just because he felt like it.

But there was a bright side.

Washington Junior High was also segregated by social class.  Middle class kids, got college-preparatory science, math, English, and foreign languages.

Working class kids were channeled into remedial English, bonehead science, and "business math."

The only time we saw each other was in the classes required for everyone: gym, woodshop, and metal shop.

Wild, surly boys from the "wrong side" of 18th Avenue, wearing tight jeans and shirts with three buttons unbuttoned, smelling of their older brothers' cologne.

Italians and Greeks with thick biceps and big hands and dark slick-backed hair.

The only black kid at Washington, tall, lithe, with an enormous Afro that he combed constantly.

Catholic boys, future priests wearing scapulars.  

Hints of transgression, lawbreaking, sexual profligacy.

It was almost worth the daily trauma of Mr. Worse Than Hitler.

But I still run fast in the opposite direction whenever I am asked to do something involving hammers, nails, or screwdrivers.

See also: What is Gym Class For?


Jun 6, 2017

Four Bacon Beefcake Artists

John Bacon (1740-1799) was a British sculptor, one of the first to work in marble.  He infused his public art with an appreciation of male beauty.  Like this "Father Thames," a beefy sea god.











His son, John Bacon Jr. (1777-1859), continued in his father's artistic tradition.   This is his monument to Lieutenant-General Sir John Moore (1761-1809).
















John Henry Bacon (1868-1914) was an illustrator and portraitist.  Here he illustrates the story of Beowulf.  If you overlook the guy with his arm torn off, there are some nicely drawn nude male physiques.















Francis Bacon (1909-1992), who was gay, was interested in grotesque permutations of the human form, as in "Aperture 2."





Tony Dow/Wally Cleaver


I was born too late to catch the first generation of Boomer sitcoms -- Ozzie and Harriet, Father Knows Best, Donna Reed, Leave It to Beaver -- and the teen idols they created -- Ricky Nelson, Billy Gray, Paul Peterson, Tony Dow.  But the gay kids who were old enough had a hunkfest, especially with Tony Dow of Beaver (1957-63).  Hired at age 12 to play older brother Wally and offer sage advice to the rapscalion Beaver (Jerry Mathers),


Tony blossomed into a dreamboat by around the third season, and while network censorship kept him under wraps, wearing nothing more revealing than a sleeveless t-shirt, the teen magazines were privy to dozens of shirtless pinups.








And dozens and dozens.  They just keep coming, all through the late 1950s and early 1960s.  Tony was already a Junior Olympics diver when hired, and his muscles grew bigger every year.

Wally didn't do a lot of male bonding; most of the homoromantic subtext comes from Beaver and his friend Gilbert.



After Beaver, Tony  -- or rather, his biceps -- landed a starring role on the teen soap Never Too Young (1965-66).  After so many years of censorship, Tony must have been surprised to discover that his character was to be shirtless or semi-nude in every scene, even at a fancy dinner party. Tommy Rettig of Lassie played his buddy JoJo.

A rather fascinating career followed, as actor, writer, and director.  Tony was active in the hippie counterculture and appeared in the underground classic,  Kentucky Fried Move (1977).  He reprised his role of Wally in Still the Beaver (1985-89).  He parodied Wally  innumerable times.  He is also an accomplished sculptor, with a piece on exhibit in the Louvre in 2008.

There are more beefcake photos of Tony Dow here.

Peter Pan

I'm fine with drag now, but in 1966, I was freaked out by Mary Martin's portrayal of Peter Pan, a monstrous conflation of male/female and child/adult (Peter is traditionally played by an older woman, in the tradition of the British Christmas pantomime).

Three years later, in 1969, my uncle took me to the theatrical re-release of the Disney version (1953), with 15-year old Bobby Driscoll voicing Peter Pan. Although I was older, I was still freaked out by the dog wearing the nanny cap and the Lost Boys in bear, wolf, and skunk costumes, monstrous conflations of the human and the animal.

And the heterosexism, nearly as intense as in the Disney live action adventures like Light in the Forest with James MacArthur.

There's a story about Bobby Driscoll's date with Joe Dallesandro on Tales of West Hollywood.






Peter is subjected to the amorous flirtations of Tinker Bell and the mermaids, all of whom try to kill his current gal pal, Wendy. He goes beyond flirting with Princess Tiger Lily, whose kisses make him redden and tremble with erotic ecstasy.  Meanwhile, the Indian men explain how they "became red": they're all reddened with erotic ecstasy after being kissed by Indian women.

Captain Hook, one of Disney's standard gay-vague sophisticated villains, dislikes women and has an arguably erotic interest in Peter Pan.  He stays in Neverland year after year, in spite of the advice and near-mutiny of his crew, with only one goal: to "get" the boy.

Homoerotic desire is evil, unwholesome, and destructive.  Heterosexual desire inflames you.  A monstrous perversion of the original novels and plays by J. M. Barrie (who was gay in real life), where Peter Pan inhabits a homoerotic Eden, free from the constraint of "growing up" into heterosexual marriage.


But it gets worse.


In Hook (1991), Robin Williams plays a Peter Pan who grew up, forgot his identity, graduated from law school, and married Wendy's granddaughter.  When his children are kidnapped by Captain Hook (Dustin Hoffman), Tinkerbell (Julia Roberts) appears to restore his memory and his powers so he can rescue them.  She accomplishes this task by reminding Peter of the hetero-erotic Eden he abandoned:
"You know that place between sleep and awake?  The place where you still remember dreaming? That's where I'll always love you."

In Peter Pan (2003), Peter (13-year old Jeremy Sumpter, top photo and left) is dressed in wisps of leaves that lay bare unexpected bits of his body, like a prepubescent strip tease, as he struts about, emblematic of heterosexual eroticism.


He doesn't just flirt -- he desires Wendy, and the stories she tells, which all end with a kiss. He wrests her from her parents ("Sorry, we both can't have her), and their prepubscent passion ignites into a power that can defeat Captain Hook (who, by the way, is no longer gay-vague)

Let's not even mention the depressing Death of Peter Pan (1988),  about the "impossible love" of J.M. Barrie's adopted son Michael and his schoolmate Rupert Buxton.

See also: Jeremy Sumpter: A Normal Kid

Jun 5, 2017

The Satyr's Hookup with Sylvester Stallone


Upstate New York, August 2010

Troy, my boyfriend for the last year, has finally agreed to move in, and we're having a "housewarming" party to celebrate.  We invite his college friends Micah and Jordan; the Rich Kid and the Rapper from the Gang of 12, and their dates; and my ex-boyfriend Chad, who of course has to bring his housemate/Daddy, the Satyr.

The Satyr is a tall, husky, bearded bear, 62 years old, with an enormous Kovbasa++++ beneath the belt.  But I don't like him -- he's imperious, theatrical, sneaky: he has a manipulative relationship with Chad, and he tried to keep me and Troy from dating.  For what reason, I don't know.

Besides, he stifles my standard conversation topics at gay parties.

Enormous penises...he has the biggest I've ever seen.

Dates from hell -- there aren't any worse dates than our weird night in October 2008.

Celebrity hookups -- he claims to have been with everybody.

When he was a teenager, hustling in Times Square, his clients included Robert Redford, Peter Fonda, and...Christopher Isherwood. When he was a camera man in Hollywood, he dated Tom Selleck, Rob Lowe, and John Travolta, who flew him down to Cabo for a wild weekend with Tom Cruise.

I'm sure the Satyr is making all of this up.  I lived in West Hollywood for 10 years at about the same time, and met a lot of celebrities: Michael J. Fox, Richard Dreyfuss, Robin Williams, Christopher Atkins -- but I never dated any superstars.

Time to call his bluff.  "Details!  You have to tell us the whole story.  Date, location, who you were with, what he was wearing, how hung he was..."

The Satyr glares at me, but says "Sure.  I'll tell you about my first gay sexual experience, with Sylvester Stallone."

"Great!"  I've heard a lot of celebrity dating stories about Stallone, the Italian Stallion, the star of the Rocky and Rambo series, so I'll be able to spot a fib a mile away.


The full story, with nude photos and explicit sexual situations, is on Tales of West Hollywood.


Jun 4, 2017

The Footlong of Fairbanks, Alaska

Fairbanks, Alaska, February 2008

In the spring of 2008, when my temporary visiting position at the University of Dayton was winding down, I applied for about 50 academic jobs.  Most were in or near gay neighborhoods, but I also applied to some in places that would be interesting to visit.

A free trip to some exotic locale, a guided tour of the city, free meals in the best restaurants. And who knows?  Maybe I would like it so much that I would take the job.

So I applied to the University of Alaska at Fairbanks,

I always keep a scorecard of pros and cons, to decide whether to take the job, if I get the offer.




Fairbanks Pros

You can see the aurora borealis. 5 points

The University has a gay student group. 5 points

The Museum of the North. 5 points.

My office would have a window. 10 points (you'd be surprised how important this is).

The University offers classes in Yupik, Inupiaq, and Tlingit. 10 points

10% of the population is Native American, and 10% Hispanic. 10 points


There are 14 Thai restaurants. 10 points

Total Pros: 50


Fairbanks Cons

It's low and flat, and very spread out, 32,000 people in 32 square miles  -5 points.

It was 10 below zero degrees outside.   -5 points.

In the 2004 presidential election, 61.5% of Fairbanks voted Republican. -10 points.

The governor of Alaska was wack job Sarah Palin. -10 points

The university had no wrestling or male swim teams. -10 points.

No gay bars, although I heard that the Palace Saloon was "gay" after 11:00 pm. -20 point.

The nearest gay neighborhood was in Seattle, 3 1/2 hours away by plane.   -20 points

Total cons: -80.


Grand total: -30.  Not interested in that job.


I was on my own for dinner the second night.  I tried to find a place within walking distance of the downtown Marriott (which, in 10 below zero weather, means two blocks).

All I could find was Soapy Smith's Old Tyme Restaurant and the Cafe de Paris.

Ok, the Cafe de Paris.

When I got there, I found an ugly yellow space decorated by case after case of wine bottles.

I hate alcohol!  I almost went to Soapy Smith's Old Tyme Restaurant instead, but it was too cold to trudge through downtown Fairbanks again.

So I sat down and looked at the menu.

Lobster, steak, chops.  Nothing of interest.  Did I go through a time warp into the 1950s?

No -- the cheapest item on the menu was $30.

I ordered two appetizers and a Diet Coke, which came watered down in a bar glass, with one of those little red straws and a cherry.

Figures.

It was quite early, so there were only a few people around.  Hetero couples mostly.  I felt out of place.

After finishing, I said "no" to an expensive dessert and went to the restroom.

It had two urinals, very close togethr, with no barrier between them.  The far one was in use: a tall, husky, dark-skinned guy, probably Native, in his 20s, with a round face and prominent cheekbones.  I couldn't judge his physique under his sweater and heavy coat, but I got a good view of his penis.

Huge!  He could barely wrap his hand around that garden hose, soft!  It had to be a Kovbasa++++,  a footlong, aroused!

I stood, trying not to stare, imagining going down on that monster.  Were all Native men hung?

He finished, shook it a little, and turned to me, smiling, Kovbasa still in full view.  He somehow managed to cram his penis back into his pants, zipped up, and squeezed past me to the sink to wash his hands.

"Not much room in here, is there?" Footlong said.

"No, not much room," I stammered.

Was he referring to the bathroom or to his pants?

When I finished and returned to the main room, Footlong was standing by a table, helping a young lady put her coat on.  Our eyes met as they walked out into the night.

She was in for a surprise later!  If Footlong was too much for her, I'd be happy to give it a try.

Pro: Sausage sighting of a huge Native guy: 100 points!

The full post, with nude photos, is on Tales of West Hollywood.